
1993 年出生于武汉,现生活工作于巴黎。2016 年获得意大利罗马美术学院艺术版画学士学位,2021 年获法国巴黎国立高等美术学院高等艺术造型本硕双学位。韩倩的创作结合了录像、装置、行为、版画与写作等多种媒介,透过对多重时空和历史线索的重组,关注其间隐匿的微妙感知和身份记忆。她将创作作为不断往返于过去与现在的旅程,未被言说的记忆和离散的身份的寻找始终牵引她的书写。近年来,她的工作围绕着个人家庭与工业迁移的线索展开,关注数代人的迁徙与定居,以及伴随于此的特定历史和诸物变迁,并对其中不断改变的地景、身份政治和地缘认同展开重新想象及感知。
近期重要个展包括:“无论捡起哪块石头”(剩余空间,武汉,2024);“风慢了,种子掉落下来”(德国文化中心・歌德学院,北京,2023);“在开始之前和结束之后”(艾莎画廊,上海,2023);“海边影像:韩倩”(阿那亚艺术中心,秦皇岛,2023)等。近期群展包括:“她山之石”(嘉德艺术中心,北京,2023);“迷雾幻屿 Foggy Island”(艺仓美术馆,上海,2023);“流体・景观”(极少艺术中心,程度,2023)等。
Born in Wuhan, China, 1993, Han Qian currently lives and works in Paris. She received her Bachelor’s degree from the Accademia di Belle Arti di Roma, Italy, and a dual Master’s degree from the École Nationale Supérieure des Beaux-Arts de Paris, France. Han’s creative practice combines various media such as video, installation, performance, printmaking, and writing. She focuses on the subtle perceptions and identity memories hidden in the reorganization of multiple space-time and historical threads. She attempts to present her works as a constant journey between the past and the present, with the search for unspoken memories and diaspora identity always pulling her writing. In recent years, Han’s work has revolved around the threads of personal family and industrial migration, focusing on the migration and settlement of generations, and the specific historical and material changes that accompany them, as well as re-imagining and re-perceiving the changing landscapes, identity politics, and geo-identities within them.
Solo exhibitions include: “Whichever Stone You Left” (Surplus Space, Wuhan, 2024), “The Seeds Fall with the Wind Slows Down” (Goethe Institut, Beijing, 2023), “Before the beginning and after the end…” (ISA Gallery, Shanghai, 2023), “Videos by the Sea” (Aranya Art Center, Qinhuangdao, 2023). Selected group exhibitions include: “From the Other Hill” (Guardian Art Cener, Beijing, 2023), “Foggy Island” (Modern Art Museum, Shanghai, 2023), “Fluidscape” (Unique Art Center, Chengdu, 2023).