1983 年生于四川,现生活工作于北京。胡尹萍硕士毕业于中央美术学院雕塑系,但并不局限于雕塑本体的物质性,她更多的是让周遭的环境和际遇成为她作品的土壤。胡尹萍将其创作定义为介于 “事情” 与 “作品” 间的状态,意味着她的艺术实践与真实生活有着深刻连结。胡尹萍将许多作品的媒介标注为 “事情”,作品通常是持续一段时间或者一直持续,这类实践可追溯到她硕士毕业后发起的三个艺术小组。

近期重要个展包括:“胡尹萍个展:胡小芳和乔小幻”(明当代美术馆,上海,2022);“白、安德烈”(盘子空间,北京,2020);“雪白的鸽子”(箭厂空间,北京,2018);“游客”(IAER,威尼斯,2017);“小芳”(箭厂空间,北京,2016);“谢谢”(3 号空间,成都,2016);“身份”(墨方空间,北京,2016);“野蛮生长”(黑桥艺术村,北京,2016)。近期重要群展包括:“年年:动物的能与术”(德基艺术博物馆,南京,2023);第九届深港城市 / 建筑双城双年展(2022);“不可思议的行动”(A4 美术馆,成都,2022);“出走!中国当代艺术中的女性身份”(挪威利勒哈默尔美术馆、奥地利萨尔茨堡现代博物馆、哥本哈根加姆勒斯特兰德国际艺术中心,2022);“无尽的服装”(X 美术馆,北京,2021);“帘幕”(Para Site 艺术空间,香港,2021);首届广州空港双年展(2019);第三届杭州纤维艺术三年展(2019);“甜蜜的家”(上海当代艺术博物馆,2017);安仁双年展 “图像与源代码”(2017);第二届中国女性艺术家录像艺术节(数字文化中心,墨西哥城,2017);“上帝创造了女人”(FIAC,巴黎,2017);“裂变的流徙”(Kommunale Galerie Berlin,柏林,2017);“不在图像中行动”(佩斯画廊,北京,2014)。

Born in Sichuan, 1983, Hu Yinping currently lives and works in Beijing. Despite earning her MFA at the Central Academy of Fine Arts in 2010, she doesn‘t limit her works to the materiality of sculpture, but channels chance encounters and fortuitous situations into insightful scenarios. Hu defines her art as a state between “event" and “work”, implying a deep connection between artistic practice and real life. She often labels the medium of her works as “event” and these works usually last for a period of time or are even ongoing. Such practices can be traced back to the three art groups she initiated after obtaining her MFA.

Major solo exhibitions include: “Hu Yinping: Weaving Realities” (McaM, Shanghai, 2022); “White, Andre” (PLATESPACE, Beijing, 2020); “Snowy White Dove” (Arrow Factory, Beijing, 2018); “Tourist” (IAER, Venice, 2017); “Xiaofang” (Arrow Factory Space, Beijing, 2016); “Thank You” (Space 3, Chengdu, 2016); “Identity” (Mocube, Beijing, 2016); “Born Savage” (Heiqiao, Beijing, 2016). Important group exhibitions include: “Nián Nián: The Power and Agency of Animal Forms” (Deji Art Musuem, Nanjing, 2023); the 9th Bi-City Biennale of Urbanism/Architecture (2022); “Incredible Action” (A4 Art Museum, Chengdu, 2022); “Stepping Out! Female Identities in Chinese Contemporary Art” (Lillehammer Art Museum, Museum der Moderne Salzburg, Kunstforeningen Gammel Strand, 2022);“The Endless Garment” (X Museum, Beijing, 2021); “Curtain” (Para Site, Hong Kong, 2021); the 1st Guangzhou Airport Biennale (2019); the 3rd Hangzhou Triennial of Fiber Art (2019); “Sweet Home” (Power Station of Art, Shanghai, 2017); Anren Contemporary Art Biennale “Image & Source Code” (2017); the 2nd Chinese Women Artists Video Art Festival (Centro de Cultura Digital, Mexico City, 2017); “God Created Women” (FIAC, Paris, 2017); “The Migration of Fission” (Kommunale Galerie Berlin, Berlin, 2017); “Not Acting in Images” (PACE Gallery, Beijing, 2014).