Born in Yichun, Jiangxi, 1991, Long Pan still lives and works there. In 2019, she graduated from the Intermedia Department of the China Academy of Art with a master’s degree. Long is an artist of social practice, working in art, research, technology and community. She collaborates around issues of bioremediation and biopolitics using digital and biological material such as fungi, plants, pollutants, electronics, minerals, etc. She is interested in the human footprint in the environment, and the biological response to environmental change. She is also focus on making invisible changes in the environment visible through biotechnologies such as “phytometallurgy” and “fungal degradation”. Through interdisciplinary research, fieldwork and visual art expression, she hopes to provide us with a fresh perspective to read the deeper and often overlooked relationship between human existence and the environment in contemporary industrial society. Exploring and presenting the “secret correspondence” of the whole network of life in which human beings live.Her art mediums include but are not limited to bio-sculpture, ceramics, installation, video, photography, etc.

Her recent exhibitions include: the 1st Beijing Art Biennale “Earth Heat Flow: the Visitor Who Returns to Solar Time” (Beijing Friendship Art Community, 2022), “Who Owns Nature—Multispecies Clouds”（Macalline Center of Art, Beijing, 2022), “The Language of Mushrooms—The Interspecies Internet” （Kunming Contemporary Art Museum, 2022). Her recent residency projects include: Swatch Art Peace Hotel, V2 Lab Summer Sessions. She has been awarded various support grants, including 2022 Grant for Female Young Artists by Christie’s and BCAF, 2022 Prince Claus Fund–Responses to Environmental Change Mentorship Award, 2022 Switzerland SÜDKULTUR FONDS Artist Support Program.