苗颖
Miao Ying
1985 年生于上海，现生活工作于上海和纽约。2007 年毕业于中国美术学院新媒体系，获学士学位；2009 年毕业于纽约州立大学阿尔弗莱德艺术设计学院电子综合艺术专业，获硕士学位。她的作品形式多样，着重讨论了主流技术和当代意识及其对我们日常生活的影响，以及通过技术表现现实的政治、审美和意识的新模式。她有意将幽默感运用到她的作品中，并将其与文化和社会政治权力的斯德哥尔摩症候群联系起来。
近期个展包括：“苗颖：精神实用宝典”（多伦多大学美术馆，2022）；“Pilgrimage into Walden XII”（OVR：艺术先锋，巴塞尔艺术展，线上，2021）；“坚强的爱”（施华特画廊 ，维也纳，2019）；“硬核数据排毒”（香港 M+，2018）；“他山之石”（没顶画廊，上海，2018）；“苗颖：ChinternetPlus”（新美术馆，纽约，2016）；“内容觉醒”（没顶画廊，上海，2016）；“手拿菜刀砍网线，电子世界民谣”（第 56 届威尼斯双年展中国馆线上平行展，2015）。近期群展包括：夏威夷三年展（2022）；“ON | OFF 2021：回到未来”（和美术馆，顺德，2022）；“面向收藏家：来自希克的中国当代艺术收藏”（里沃利城堡当代美术馆，都灵，2020）；“终端 >_ How Do We Begin?”（X 美术馆，北京，2020）；“月相”（UCCA 尤伦斯当代艺术中心，北京，2019）；“TO OTHER SHORES: On techno-sinofuturism, AI artists bots and New Silk Roads”（ACUD Kino，柏林，2019）；“张培力、耿建翌的学生们”（西岸艺术中心，上海，2019）。苗颖于 2023 年提名希克奖，于 2017 年和 2019 年入围保时捷 “中国青年艺术家年度评选”，于 2016 年入围 “艺术 8・中国青年艺术家奖”，于 2015 年入围 “艺术新闻亚洲艺术贡献奖” 及第三届三亚艺术季 “华宇青年奖”。
Born in Shanghai, 1985, Miao Ying currently lives and works in Shanghai and New York. She graduated from the New Media Department of the China Academy of Art in 2007 with a bachelor’s degree; in 2009, graduated from the Alfred College of Art and Design at the State University of New York with a master’s degree in electronic integrated arts. Her diverse body of works mainly relates to the dominant technologies and contemporary consciousness, and their impact on our daily lives, as well as new political, aesthetic and conscious modes of representing reality through technology. She intentionally applies sense of humor to her work and links it to the Stockholm Syndrome of cultural and socio-political power.
Recent solo exhibitions include: “Miao Ying: A Field Guide to Ideology” (Art Museum at the University of Toronto, 2022), “Pilgrimage into Walden XII” (OVR：Pioneers, Art Basel Online, 2021), “Tough Love” (GALERIE NÄCHST ST. STEPHAN , Vienna, 2019), “Detox” (M+, Hong Kong, 2018), “Stones from Other Hills” (MadeIn Gallery, Shanghai, 2018), “Miao Ying: Chinternet Plus” (New Museum , New York, 2016), “Content Aware” (MadeIn Gallery, Shanghai, 2016), “Holding a Kitchen Knife to Cut the Internet Cable, Folklore of the Cyber World” (the 56th La Biennale di Venezia，Chinese Pavilion Online Parallel, Venice, 2015). Recent solo exhibitions include: Hawai'i Triennial (2022), “ON|OFF 2021: Carousel of Progress” (He Art Museum, Foshan, 2022), “Facing the Collector: The Sigg Collection of Contemporary Art from China” (Castello di Rivoli, Turin, 2020), “Terminal >_ How Do We Begin?” (X Museum, Beijing, 2020), “Moon Phase” (UCCA, Beijing, 2019), “TO OTHER SHORES: On Techno-Sinofuturism, AI artists bots and New Silk Roads” (ACUD Kino, Berlin, 2019), “The Students of Zhang Peili and Geng Jianyi” (West Bund Artistic Center, Shanghai, 2019). Miao was shortlisted for Sigg Prize 2023, awarded Porsche Young Chinese Artist of the year in 2017 and 2019, nominated Prix Yishu 8–Chine in 2016, Art Newspaper Asia Art Pioneers and Huayu Youth Award of the 3rd Art Sanya in 2015.