朱凯婷肖像。图片致谢艺术家和北京MACA艺术中心。
Portrait of Michele Chu. Courtesy the artist and MACA Art Center, Beijing.
朱凯婷
Michele Chu
朱凯婷（1994 年生于香港）是一位常驻香港的跨媒介艺术家，其创作围绕亲密性与仪式的实践展开。通过对不同材料和元素的实验，她研究身体如何在公共张力或私人内省的情境之中显现和适应。作为香港回归后成长起来的新一代艺术家之一，朱凯婷的创作关注短暂性与游戏性，并将其置于剧烈社会变迁与社群关系的脉络中加以考察。
朱凯婷毕业于英国皇家艺术学院与帝国理工学院联合开设的全球创新设计硕士项目（MA/MSc），并获美国普瑞特艺术学院传播设计（插画）专业艺术学士学位。她是 2020–21 年度声音掏腰包（soundpocket）艺术家支援计划和 2021 年 HART 工作室资助的获得者。2023 年，作为 “表演作为过程” 项目的一员，朱凯婷在伦敦戴芬娜基金会（Delfina Foundation）驻留创作。她的作品被 Burger Collection 及其他私人收藏收藏。
她的个展及特别项目包括：“喘”，MACA 艺术中心，北京（2026）；“栖与渡”，Para Site 艺术空间，香港（2024）；受委约创作的可食用装置作品，Ping Pong，香港（2024）；为 “编码、振动与散发” 创作的委约行为表演，戴芬娜基金会，伦敦（2023）；“you, trickling”，PHD 集团，香港（2023）；以及与周国贤合作的双个展 “希望你一切安好”，1a Space，香港（2021）。
她参与的群展包括：“母职”，PHD 集团，香港（2025）；“当她降临”，阿那亚艺术中心，秦皇岛（2025）；“盒子”，Nova Contemporary，曼谷（2025）；“总有声音在某处：内地与香港的声音实践”，中间美术馆，北京（2025）；“橱柜 橱柜 好奇 好奇”，Abraham & Wolff，巴黎（2024）；“Palai Penang”，Homestead，槟城（2024）；“翻开口袋⸺重访声音掏腰包档案（二）：声音游乐场”，Floating Projects，香港（2024）；“声音形态 2022：虚空中的边界” 及 “情绪健身房”，大馆当代美术馆，香港（2022）；“Flèche”，驻香港韩国文化院，香港（2022）；以及 “聆听双年展”，1983，香港（2021）。
朱凯婷的个展 “喘” 目前正在北京 MACA 艺术中心展出，展览将持续至 2026 年 8 月 23 日。
Michele Chu (b. 1994, Hong Kong) is a Hong Kong-based multidisciplinary artist engaged in practices of intimacy and ritual. In her experimentations with different materials and elements, she investigates how the body manifests and adapts in situations of public tension or private introspection. As one of the many emerging artists practicing in post-handover Hong Kong, Chu examines ephemerality and ludic play in relation to intense social change and communal relationships.
Michele graduated from the Royal College of Art & Imperial College London with an MA/MSc in Global Innovation Design, and Pratt Institute with a BFA in Communications Design (Illustration). She was a recipient of soundpocket’s Artist Support 2020–21 and the HART Studio Grant in 2021. In 2023, she undertook a residency at Delfina Foundation in London as part of its 2023 “Performance as Process” programme. Her works are also held in the Burger Collection and other private collections.
Her solo exhibitions and special projects include gasp, MACA Art Center, Beijing (2026); The Embrace and the Passage, Para Site, Hong Kong (2024); commissioned edible installation, Ping Pong, Hong Kong (2024); commissioned performance for Cyphering, Vibrating, Emanating, Delfina Foundation, London (2023); you, trickling, Property Holdings Development Group, Hong Kong (2023); and Hope All is Well With You, a duo exhibition with Dave Chow, 1a Space, Hong Kong (2021).
Her group exhibitions include Mothering, Property Holdings Development Group, Hong Kong (2025); As She Descends, Aranya Art Center, Qinhuangdao (2025); Boxes, Nova Contemporary, Bangkok (2025); There Is Always a Sound Somewhere: Sound Practices from Mainland China and Hong Kong, Inside-Out Art Museum, Beijing (2025); Cabinet Cabinet Curiosity Curiosity, Abraham & Wolff, Paris (2024); Palai Penang, Homestead, Penang (2024); Flip the pocket – (re)visiting soundpocket’s repository (II) Sound Playground, Floating Projects, Hong Kong (2024); Sound Forms 2022: Bounding in Void and Emo Gym, Tai Kwun Contemporary, Hong Kong (2022); Flèche, Korean Cultural Center in Hong Kong, Hong Kong (2022); and Listening Biennial, 1983, Hong Kong (2021).
Michele Chu’s solo exhibition gasp is currently on view at MACA Art Center, Beijing, through August 23, 2026.