1984 年生于北京,现生活工作于北京。2008 年毕业于中央美术学院油画系,获学士学位。2015 年毕业于中央美术学院油画系,获硕士学位。苑瑗在大尺幅画布上的描绘使得 “花” 成为非对象化及客观化的事物:画面上挺立于坚硬枝杆上的花朵被如绿色羽翼般展翅的丛丛叶片承载,无所顾忌地占据整个画面,同时又向画面以外的空间生长开去,仿佛在被艺术家描绘和表现之前便以昂扬的姿身处于自我实现之中。

近期个展包括:“阿图姆的园丁敲敲窗”(Tabula Rasa 画廊,上海百空间,2023);“一朵花的可能性”(Tabula Rasa 画廊,北京,2021);“厚岸草”(Tabula Rasa 画廊,北京,2019);“半入花园”(Tabula Rasa 画廊,北京,2015)。参与群展包括:“她・视界”(VOGUEfiim 2022 线下短片首映暨艺术周,上海);“绘画的逻辑”(新疆美术馆,乌鲁木⻬,2021);“动漫美学双年展:史努比 70 周年”(上海当代艺术馆,上海,2020);“乌托邦中的反乌托邦”(Dietz 空间,科隆,2019)等。

Born in Beijing, 1984, Yuan Yuan still lives and works there. She graduated with a Master of Arts degree in Central Academy of Fine Arts in 2015. She is best recognised for her large scale paintings of flowers. Via Yuan Yuan’s large scale paintings, the flower appear to be a non-subjective object. The blossom on the still-standing branches is held by feather-like green leaves, occupying the frame freely and at the same time extending outside the picture, as if the flower itself is already in self-actualisation at a majestic posture before the depiction.

Her recent exhibitions include: Supper Club Art Fair (Hong Kong, 2024); Contemporary Myths and Artifacts (Stockholm, 2023); Tabula Rasa: Unveiled, No.9 Cork Street (London, 2023); ART SG, Tabula Rasa Gallery (dual solo, Singapore, 2023); The Possibility of a Flower, Tabula Rasa Gallery (Beijing, 2022); The Logic of Painting, Xinjiang Art Museum (Urumqi, 2021); Animamix Biennial, 70 Years of Snoopy, Museum of Contemporary Art (Shanghai, 2020); Utopia / Dystopia, Dietz (Cologne, 2019); Shan Shui Within, Museum of Contemporary Art (Shanghai, 2016); China 8 Contemporary Art From China at Rhine & Ruhr, Osthaus (Hagen, 2015); and Curated by Yu Hong Pan Lin & Yuan Yuan: True False Objects, Ullens Center for Contemporary Art (Beijing, 2010).