金雅瑛（1979 年生于韩国首尔）在德国美术馆的首次个展呈现其近年艺术实践，探讨时间、现实、归属与酷儿身份等命题。通过人工智能、影像、游戏模拟及雕塑等媒介，金雅瑛构建出受自成体系的时空法则支配的广阔虚构宇宙。她的作品以植根现实的推想叙事相连，观众既成为旁观者，亦是第一人称玩家，基于个体视角共同塑造故事的走向。
Ayoung Kim’s (b. 1979 in Seoul, Korea) first solo exhibition in a German museum spans the most recent years of her artistic practice and explores concepts of time, reality, belonging, and queerness. Using Artificial Intelligence, video, game simulations, and sculpture, Ayoung Kim creates expansive fictional universes governed by their own temporal and spatial laws. Her works are linked by speculative narratives rooted in reality, and viewers become both spectators and first-person players, shaping the story from their perspective.
在汉堡车站美术馆的展览中，金雅瑛以虚构的未来首尔为背景，通过女性配送员及其同质分身的叙事展开系列创作。在其《快递舞者》宇宙里，无数可能的世界相互叠加，时间呈现出循环性与非线性。作品主体穿越现实边界，在时空之间开辟出交错的场域。此次展览不仅让观众沉浸于金所营造的虚拟景观之中，更将其延展至美术馆的物理空间，彻底重塑了展厅的拓扑结构。
For her exhibition at Hamburger Bahnhof, Kim draws from a cycle of works that follows a female delivery driver and her identical double in a fictional, futuristic Seoul. In her “Delivery Dancer” universe, infinite possible worlds collide, where time is cyclical and non-linear. Her subjects cross the boundaries of possible realities, creating intersections between times and spaces. Ayoung Kim’s exhibition at Hamburger Bahnhof does not only enable its audiences to be immersed in Kim’s virtual landscapes, but extends those into the physical museum space, completely transforming the gallery’s topology.