失落的历史：中国女性绘画史
The Lost History: Chinese Female Painting History
陶咏白 Tao Yongbai、李湜 Li Shi, 2000
The Lost History: Chinese Female Painting History
《失落的历史：中国女性绘画史》The Lost History: Chinese Female Painting History
陶咏白 Tao Yongbai、李湜 Li Shi, 2000
湖南美术出版社
Hunan Fine Arts Press- 中文 Chinese
- 2000
- 262
- 45550738
本书是一部专门阐述中国女性绘画发展的史书，包括：上篇古代篇，从史前至清代，按时序纵向梳理，叙述了以消沉为基调的历史；下篇近代篇，自清末民初至新中国成立，从横向梳理，分别透析女画家以各自不同的绘画艺术在社会运动及新艺术运动中所作出的成绩。
在序言中，作者之一的陶咏白揭示女艺术家 “缺席” 的根本原因，是封建等级性别制度与文化观念的男性中心主义，并对 “女性绘画” 和 “女性主义绘画” 予以精辟阐释，提出 “出自女画家之手，以女性的视角，展现女性精神情感，并采用女性独特的表现形式 —— 女性话语，凡此种种的绘画，称女性绘画”。
This book takes an in-depth look at the output and achievements of female painters throughout the history of China as well their place in society, from Imperial times to the Revolutionary Period and Post-Mao Era.
In the preface, Tao Yongbai, one of the authors, reveals that the fundamental reason for the “absence” of female artists is the feudal hierarchical gender system and the male-centeredness of cultural concepts, and elucidates “female painting” and “feminist painting”, suggesting that “paintings that come from the hands of female painters, that show women's spiritual and emotional feelings from a woman’s point of view, and that use women's unique forms of expression—women’s discourse, and that are of this sort are called women’s paintings”.
作者简介AUTHOR’S BIOGRAPHY
陶咏白，1937 年生，江苏江阴人。1958 年毕业于南京师范学院中文专业，从事教育工作多年，1965 年调入中央美术学院附中任教。1979 年为中国艺术研究院美术研究所研究员。1985 年至 1989 年曾任《中国美术报》主任编辑。陶咏白从 20 世纪 80 年代起研究中国油画史，90 年代起研究中国女性艺术，著有《失落的历史：中国女性绘画史》（与李湜合作）等书。
李湜，1963 年生于北京，1988 年毕业于毕业于中央美术学院人文学院，现任故宫博物院研究馆员，学术委员会委员。长期侧重于对清代宫廷绘画史、明清女性绘画史的研究，目前已出版有《李湜谈中国古代女性绘画》、《世代公卿闺阁独秀：女画家陈书与钱氏家族》、《紫禁丹青：清宫绘画的创作与收藏》等七部专著。
Tao Yongbai, born in 1937, a native of Jiangyin, Jiangsu Province, graduated from the Chinese language program of Nanjing Normal College in 1958, worked as an educator for many years, and was transferred to the Central Academy of Fine Arts as a secondary school teacher in 1965, became a researcher of the Fine Arts Research Institute of the China Academy of Art in 1979, and was the chief editor of the China Art Newspaper from 1985 to 1989. Tao Yongbai has studied the history of Chinese oil painting since the 1980s and Chinese women’s art since the 1990s, and is the author of The Lost History: Chinese Female Painting History (with Li Shi) and other books.
Li Shi, born in 1963 in Beijing, graduated from the School of Humanities of the Central Academy of Fine Arts in 1988, is currently a research librarian at the Palace Museum and a member of the Academic Committee. She has long been focusing on the history of Qing dynasty palace painting and the history of women’s painting in the Ming and Qing dynasties, and has published seven monographs, including Li Shi on Ancient Chinese Women’s Painting, Generations of Ministers and Boudoirs of the Imperial Households: Female Painters Chen Shu and the Qian Family, and Forbidden Landscapes: The Creation and Collection of Paintings in the Qing Dynasty Palace.