萧涵秋
Xiao Hanqiu
1986 年生于北京，现生活工作于北京。2008 年本科毕业于利兹大学艺术系，2011 年研究生毕业于英国切尔西艺术与设计学院。萧涵秋的创作像是把 “一刻的情绪” 放到 “漫长的时间线里” 去，通过这种震颤来探测一种相对于她个体的其他对象的存在，以它为线索去勾勒一个 “形、象”。她在创作中追寻并一直努力描绘的灵光瞬间和事物转化的过程相似，通过视角的转化创造出情境的还原，使画面流动起来。每个人的眼里事物的边框都是不同的，我们只能通过我们所 “触碰” 的去感知。
近期个展包括：Paris Internationale，Tabula Rasa 三米画廊（双个展，巴黎，2025）; “天使需要剪头发吗”，Tabula Rasa 三米画廊（北京，2024）；“科幻末世 | 仙境迷踪”，蛇口画廊（双个展，深圳，2023）；“爱情故事和恐怖故事”，Lyles and
King（纽约，2022）；LISTE 艺博会，Tabula Rasa 三米画廊（双人展位，巴塞尔，2021）；“蜂蜜，蜜蜂”，Tabula Rasa 三米画廊（伦敦，2021）; “贝壳里也许没有珍珠”，狮语画廊（上海，2020）；“蛇绣出谎言”，Tabula Rasa 三米画廊（北京，2018）;“有点意思”，广州画廊（广州，2018）; “自画像”，Tabula Rasa 三米画廊（北京，2016）。
她参与的重要群展包括：ART021 上海廿一当代艺术博览会，由 Tabula Rasa 三米画廊呈现（北京，2025）；ORBITAL，Nova Contemporary（曼谷，2024）；NADA Miami 艺术博览会，由 Tabula Rasa 三米画廊呈现（迈阿密，2023）；“当代神话与人工制品”，Stads Gasverk（斯德哥尔摩，2023）；“小众景点 × Cornershop”（伦敦，2023）；“魔方阵：镜像中的艺术与文学”，北京双年展（北京，2023）；“Becoming Creature”，Tabula Rasa 三米画廊（伦敦，2022）；“Tabula Rasa Vista”，Tabula Rasa 三米画廊（北京，2020）。
她曾出版四本诗集：《无暇顾》（2022）、《A dream come true The worst idea ever》（2019）、《差三分钟午夜花贼》（2018）、《Four Hearts》（2015）。
Born in Beijing, 1986, Xiao Hanqiu still lives and works there. She received her BA from Leeds University in 2008, and MFA from Chelsea College of Art and Design in 2011. Xiao’s paintings are like putting “a moment’s emotion” into “a long time-line”, using this tremor to detect the existence of other objects relative to her individuality, as a clue to outline a “shape, form”. The moments of inspiration that she pursues and has been striving to depict are similar to the process of transformation of things. Through the transformation of perspective, she creates a restoration of the situation and makes the scenes flow. The borders of things are different in everyone's eyes, and we can only perceive them through what we “touch”.
Her solo and duo exhibitions include: Paris Internationale, dual solo booth, presented by Tabula Rasa Gallery (Paris, 2025); Do Angels Need Haircuts, Tabula Rasa Gallery (Beijing, 2024); Sci-Fi Doomsday/Lost in Wonderland, Shekou Gallery (Shenzhen, 2023); Love Stories and Horror Stories, Lyles and King (New York, 2022); LISTE, dual solo booth, presented by Tabula Rasa Gallery (Basel, 2021); Honey, Bee, Tabula Rasa Gallery (London, 2021); There May Be No Pearls in This Shell, Leo Gallery (Shanghai, 2020); Skating Through the Gallery With Tricksy Snakes, Tabula Rasa Gallery (Beijing, 2018); That’s Quite Something, Canton Gallery (Guangzhou, 2018); Self-portrait, Tabula Rasa Gallery (Beijing, 2016).
Selected group exhibitions include: ART021, presented by Tabula Rasa Gallery (Beijing, 2025); ORBITAL, Nova Contemporary (Bangkok, 2024); NADA Miami, presented by Tabula Rasa Gallery (Miami, 2023); Contemporary Myths and Artifacts, Stads Gasverk (Stockholm, 2023); Minor Attractions × Cornershop (London, 2023); Magic Square: Art and Literature in Mirror Image, Beijing Biennial (Beijing, 2023); Becoming Creature, Tabula Rasa Gallery (London, 2022); Tabula Rasa Vista, Tabula Rasa Gallery (Beijing, 2020).
She has published four poem collections: Losing Everything is Beautiful (2022), A dream come true The worst idea ever (2019), Three Minutes to Midnight Flower Thief (2018), and Four Hearts (2015).