Fiona He is an independent curator, art writer and seasoned translator. She graduated from McGill University with a degree in Art History and Asian Studies. She has worked as a researcher for the Asia Art Archive and as an editor for the Chinese online edition of Artforum magazine. Her recent exhibitions and writings view painting as a petri dish, exploring the self-regenerative capabilities of this ancient medium in the era of diverse media, to investigate the interpenetrating relationships between changes in the visual environment, artistic creation, exhibition politics, and viewing mechanisms. Simultaneously, she continues to focus on the working conditions and responses of contemporary female artists within the ecosystem.

Her recent curatorial projects include: "In Search of Lost Time: Zhang Xuerui" (Galerie Urs Meile, Beijing, 2023), “Fu Site" (MadeIn Gallery, Shanghai, 2023), "A Descent into the Maelstrom" (Mangrove Gallery, Shenzhen, 2022), "Zhou Li: Tracing Peach Blossom Spring" (Pingshan Art Museum, Shenzhen, 2022), “A Spring of Magical Thinking" (Hunsand Space, Beijing, 2022), “Jiang Zhi: Between Landscapes" (Mangrove Gallery, Shenzhen, 2021) ,and "House of Perception" (Antenna Space, Shanghai, 2021), among others. She has been a long-time contributor to many renowned art publications in China and abroad, including Art Newspaper.cn, Leap, ARTFORUM, Flash Art, Art Review Asia, Yishu, and others.