翁笑雨 Weng Xiaoyu

翁笑雨,常驻纽约的独立策展人和写作者。她的策展和写作实践关注全球化、身份和后殖民等议题,同时注重与艺术家、科学家、研究者和哲学家的深入跨学科合作,构造综合、多层次、互动迭递的语境和平台。翁笑雨毕业于中央美术学院和加州艺术学院。她曾任位于多伦多安大略省美术馆的卡罗尔及莫顿・拉普现代和当代艺术策展人、部门主管。此前,翁笑雨是纽约古根海姆博物馆何鸿毅家族基金副策展人。任职期间,她策划了大型展览 “故事新编”(2016~2017)和 “单手拍掌”(2018)。她还策划了艺术家 Christian Nyampeta 在古根海姆的个展 “Sometimes It Was Beautiful”(2021), 以及第五届乌拉尔双年展 “永生”(俄罗斯叶卡捷琳堡,2019),后者于 2020 年被《艺术新闻 / 俄文版》授予年度最佳展览的荣誉。在过去 10 年间,翁笑雨在全球策划超过 30 个展览和项目。她近期的其它独立展览还包括:“非黑 / 非红 / 非黄 / 非女”(时代艺术中心,柏林,2019)、“Soft Crash”(贝加莫当代艺术中心,意大利,2016) 等。

翁笑雨曾担任卡蒂斯特(Kadist)艺术基金会(巴黎 / 旧金山,2010~2015)亚洲项目的主持人和策划人,她目前是该基金会的艺术顾问。作为一名作者和批评家,她也为各大重要艺术期刊、艺术家和美术馆撰稿。翁笑雨是第八届 Premio Lorenzo Bonald per L’arte Enterprize 国际策展人奖(2015)的获奖者,也是纽约亚洲文化协会 Starr Foundation 奖学金的获得者(2007~2009)。

Xiaoyu Weng is an award-wining curator and writer based in New York. Her curatorial and writing practices focus on the impact of globalization, identity, and decolonization, as well as the intersection of art, science, and technology. Most recently, she was the Carol and Morton Rapp Curator, and head of Modern and Contemporary Art at the Art Gallery of Ontario (AGO) in Toronto, Canada. Previously, she was The Robert H. N. Ho Family Foundation Associate Curator at the Solomon R. Guggenheim Museum in New York, where she curated highly acclaimed exhibitions “Tales of Our Time” (2016–2017) and “One Hand Clapping” (2018). Featuring newly commissioned artworks by thirteen artists and artist collectives, the exhibitions challenge myths of identity and nation-state constructions. In 2018–2019, Weng served as the curator of the 5th Ural Industrial Biennial of Contemporary Art in Yekaterinburg, Russia. The biennial was awarded the “Best Exhibition of the Year” by the Art Newspaper Russia.

Weng was the director and curator of Asia Programs at Kadist Art Foundation (Paris/San Francisco, 2010–2015). She continues to serve as a program and collection advisor for the Foundation. Weng has curated more than 50 exhibitions and projects internationally and has worked with over fifty organizations, three hundred artists and collaborators across all continents. She writes regularly on contemporary art and visual culture and has published widely in catalogues and periodicals.