富源 Yuan Fuca

策展人,评论人,卡蒂斯特(Kadist)中国合作项目总监。对行为表演艺术及其扩展领域的研究兴趣是富源的策展实践和写作重点。她近期作为德英基金会支持的策展学者,研究和勾勒艺术家旅行的轮廓。2016 年至 2019 年,富源联合创建和管理 Salt Projects,一个位于北京的非营利艺术空间。2019 年至 2022 年,她作为创始艺术总监加入美凯龙艺术中心,并策划了开馆群展 “大象出走”,张怡、童文敏、邵纯的个展,数字委任项目 “赤屏” 以及相关公共项目。此前,她曾策划的群展和项目包括:“Come Together: Surviving Sandy”(Dedalus 基金会,2013);“抵抗的涌现”(泰康空间,北京,2016);“自我批评”(中间美术馆,北京,2017);“时间的狂喜”(何香凝美术馆,深圳,2017);“众神失语的日子”(都爹利会馆,香港,2018);“离岸” 驻留(哥打京那巴鲁,2019);以及邢丹文、铁木尔・斯琴、刘野夫、蒋志、常羽辰、彭可、王芮、李姝睿等艺术家的个展。
富源是双语数字出版平台《黑齿》杂志的创刊主编之一。她的文章曾多次发表在《Artforum》、《ARTnews》、《BOMB》、《Flash Art》、《Frieze》等艺术杂志上。

Yuan Fuca, curator, writer, and Kadist’s Associate Program Director for China. Her curatorial practice and writings focus on performance art and its associated fields. Recently she was a curatorial fellow supported by De Ying Foundation, studying artists at travel. From 2016 to 2019, she co-founded and managed Salt Projects, a non-profit art space in Beijing. From 2019 to 2022, she served as the founding artistic director at The Macalline Center of Art (MACA). During her tenure, she curated the Center’s opening exhibition “The Elephant Escaped”, solo exhibitions of Patty Chang, Tong Wenmin, and Shao Chun, and digital commission program “Bare Screen” and its public events. Previously, she curated a number of group exhibitions and projects, such as “Come Together: Surviving Sandy” (Dedalus Foundation, 2013), “Toward The Emergence of Resistance” (Taikang Space, Beijing, 2016), “Self-Criticism” (Inside-Out Art Museum, Beijing, 2017), “The Ecstasy of Time” (He Xiangning Art Museum, Shenzhen, 2017), “The Day the Gods Stop Laughing” (Duddell’s, Hong Kong, 2018), “Offshore” residency (Kota Kinabalu, 2019). She also curated solo exhibitions of Xing Danwen, Timur Si-Qin, Liu Yefu, Jiang Zhi, Chang Yuchen, Peng Ke, Wang Rui, Li Shurui, and others. She is a founding editor of Heichi Magazine, an online bilingual publishing platform. Her writing has been published in Artforum, Artnews, BOMB, Flash Art, and Frieze.